Whether it’s Wes Anderson’s vibrant color palette in “The Grand Budapest Hotel” or the comic-styled color disruptions of Robert Rodriguez’s “Sin City,” the color of a film sets its mood and tone. Film ...

LONDON—FilmLight has officially launched FilmLight REMOTE, a remote color-grading solution that allows post houses and colorists to work remotely without sacrificing the high-quality and low-latency ...

Great filmmaking delves beyond the elements on screen to consider both what we see and how we process visual narratives. This is particularly true of the use of color in film, which can be ...

Color Grading Central’s Color Finale plugin is a popular color grader that many editors have successfully used on their projects. Riddle explained that when Apple debuted a more comprehensive color ...

Company 3 colorist Yvan Lucas accepted the FilmLight Color Award for a theatrical feature. By Carolyn Giardina Tech Editor The candy-colored look of Barbie delivered colorist Yvan Lucas of Company 3 ...

Going to the cinema to see a 4K restoration or buying a Blu-ray of a beloved classic from a boutique publisher, one is never quite sure what one will get, colorwise. Frequently, a distinctly tinted ...

FilmLight, the leading developer of colour management and grading technologies, today announced the introduction of Baselight 5.0, the new version of its high-performance flagship colour finishing ...

It pays to know what you are talking about! In our continuing series on basic colour correction, we decipher some of the most common terminology used in the grading suite. Our previous articles in ...